Friday, March 21, 2014

The Wind Rises (2013, Studio Ghibli)



The Wind Rises is a mostly hand drawn film by famed Studio Ghibli cofounder Hayao Miyazaki. The art is decent but not up to par with previous Ghibli works Arriety and Ponyo. But much like From Up On Poppy Hill, I have no idea why this film needed to be animated. It doesn't use the format to add anything to the story.  

I have nothing really good to say about this film, which I find maddening. The pacing is slow, the soundtrack dull and the film exhibits Miyazaki's well intentioned chauvinism. And unlike most Studio Ghibli films, the characters do not go through a transformation of any sort, there is no naturalism or strong Japanese cultural references.   

The plot consists of following engineer Jiro Horikoshi around the world as he learns how to become a world class aircraft designer. Jiro eventually returns to Japan to put his knowledge to use in creating war machines for the Japanese military. There are no other significant characters in the film and no one else gets more than passing characterization.

Even more damning was the message. Which was, as I could unpack it, to be true to your artistic vision and damn the consequences. Even when your form of art is to design a fighter plane that would be used in Japan's wars of aggression leading up to WWII. One could imagine a film about a German architect designing concentration camps. But as long as the buildings he designed were to his utmost artistic vision then it would be okay with Miyazaki. I'm sure that was not his intention. But that's the mess his film left us with.

1/4 stars.

2 comments:

  1. you should rewatch the movie. you're getting it all wrong. "damn the consequences" is not the message being conveyed. maybe there's a bias here? im guessing you're American

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  2. Katie, what is the message than? As to being biased I need more context. My evaluation of the thesis of a film is biased how? Because of my potential nation of origin? So somehow the place where I was born makes it impossible to see the central theme of a film? That sounds very close to being racist.

    I suspect Katie is an undergrad who hasn't studied much history. Because to defend Japan's actions during the first half of the 20th century is pretty tough from a modern perspective. And even Studio Ghibli doesn't try to do that. See their films Grave of the Fireflies as a perfect example. Or even From Up On Poppy Hill.

    Here's a start. http://www.japan-guide.com/e/e2129.html

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